Posts Tagged ‘colorwork’
My newest pattern is here! I’m so excited to show you the Elevé Pullover.
This lightweight, cropped sweater is all about geometrics. Elevé features stranded colorwork, intarsia, and saddle shoulders. It’s knit flat with Rowan Wool Cotton. This is kind of my take on a modern Cosby sweater. The shape and colors bring a fresh look to that iconic design. And, of course, there are triangles.
I imagine wearing this with high-waisted shorts but how cute would it look over a maxi dress? I’m really psyched about this top. It feels very true to my style.
You can get the pattern in Knitscene’s Summer 2015 issue which hits news stands April 13th! You can pre-order it today. Or, if you just can’t wait, you can purchase the digital edition right now! This issue is full of great patterns including a Southwestern-inspired collection and featured designer Allyson Dykhuizen (the brilliant mind behind Holla Knits)!
Don’t forget to add Elevé to your queue on Ravelry!
Tags: ballet, colorwork, cosby sweater, cotton blend yarn, cotton yarn, design, digital edition, eleve, knit flat, knitscene, knitscene summer 2015, pre-order, pullover, pullover pattern, rowan, rowan wool cotton, saddle shoulder, summer, sweater, sweater pattern, triangles, wool cotton yarn, yarn
“I’m going to take so many pictures of you today!” I told Jon, since he looked very handsome in his sweater.
“Noooo!” he replied.
“If we take photos now, we don’t ever have to take pictures of this sweater again!” I said to Jon as we walked through the 4H gate at the NY Sheep and Wool Festival.
I have to hand it to him, Jon is always game for my fiber-fueled antics. He’s been dragged to Rhinebeck year after year, there’s yarn in every crevice of the apartment, and he never discourages me from buying yarn. I’m constantly forcing Jon to photograph me in my latest finished garment when he’d much rather be enjoying his day off.
What I mean to say is, this boy deserves a great sweater!
I was working on Grettir for a long time. I started it over vacation back in April and it took me a long time to stop procrastinating and actually graft the underarms. (I can’t be the only one that’s terrible at finishing knits.) But I guess speed wasn’t really important since sweater season seemed far away.
Now it’s finally that time! I love the way this sweater looks on him. It fits really great and the colors are really handsome. The pattern is great and it feels really classic. Jon’s been wearing his sweater and nothing feels better than seeing someone enjoy what you made them.
Didn’t he look great at Rhinebeck?!
Did you miss me? I know it’s been a while. September was a crazy month and I just started a new job so I’ve been settling in. But it’s time to get back to business because I’ve got new pattern out!
Ilsa is a drop-shoulder cardigan with color work details on the fronts. The sweater is part of Knit Scene’s Vinter Stickning spread which is all about Scandinavian-inspired pieces. I love Scandinavian design, it’s where I go for inspiration when I’m feeling stuck so I was very excited to make something directly informed by it.
I wanted to do something a little boxy and relaxed. The trends for simple lines really lead me to this shape. Of course, I’m obsessed with neutrals but the little pops of color give it that Scandinavian whimsy.
Are you casting on your own Ilsa?
Grettir is finally coming together. There wasn’t much to show you during the long haul of stockinette but now something interesting has happened. And, alas, now it’s basically over.
I’m quite pleased with the look of the yoke. It was a pretty simple colorwork pattern for me. Everything was straightforward there. Stranded colorwork really is my favorite thing. I imagine that if I were a dragon, instead of a cave full of golden treasures, I’d be sleeping on a big pile of fingering-weight colorwork sweaters.
I recently looked back on the beginnings of this sweater and thought, “God, I’m such an asshole!” Can you believe I started this thing back in March? It’s July and it’s still not finished. I really have no excuse for this taking so long. Though, I suppose, the beauty of knitting for myself (and by that I mean knitting something that isn’t on a work deadline because clearly this sweater is not for me) is that it doesn’t have to be finished with any haste. But, still. It’s a little ridiculous that a worsted-weight sweater that is mainly single color stockinette has taken me months and months.*
I think this sweater is kind of telling of my mental state this summer. I’m really all over the place. I want to sew tank tops and eat ice cream and read comic books. I’ve allowed myself to become undisciplined after a year of hard deadlines and workaholism which was a big mistake! Give me and inch, etc etc.
All of that over-analysis aside, Grettir is almost finished. I have to graft the underarms to the sleeves which I just have had zero motivation to do. There’s a lot of waste yarn still hanging around the cast ons of this sweater. And he could use a nice blocking. It fits Jon well and he’s really pleased with it. I think it suits his style perfectly.
But, of couse, it was 90 degrees today so I have absolutely no desire to be finishing a sweater right now.
Do you ever get lazy with knitting? What keeps you on track on personal projects?
*Okay, stockinette stitch for miles is a good excuse for taking a long time. It just NEVER ENDS.
Good morning, lovelies! I have been really busy, guys, but it all seems to be falling in place. I’m so excited to say that I have another pattern to share with you today! A little change of pace for me, this is an accessory. I seem to dream in sweaters but it’s a fun challenge, doing something that requires a little less labor that still packs a punch visually.
This one is called Sphinx and you can find it in the upcoming issue of Knitscene Accessories! Sphinx is a slouchy hat with colorwork and contrasting ribbing, perfect for anyone who’s intimidated by two-color knitting or anyone new to knitting in the round.
The theme for this part of the issue was all about mythology. (Have I ever mentioned that I love themes? I LOVE them. I love the problem-solving they require and I also love how much inspiration they can provide.) So I wanted to go with an Egyptian theme with these jewel tones and clay colors. I think that the Brooklyn Tweed Loft is perfect. Not only are the colors absolutely gorgeous, the heathered hues look really antique.
I’m so excited for this issue of Knitscene. Of course, the photos are just great. I love the styling. As always, I’m part of a great group of designers!
This issue of Knitscene Accessories featuring Sphinx is available for pre-order. But you can buy and download digital copy of the issue right now! So what are you waiting for?
Let me be honest with you. When I wrote about how I wanted to bring Timberline on vacation with me and have this really complicated project to focus on, I was lying. I didn’t know it at the time because I was lying to myself and I ended up lying to you, too. (Please forgive me.) Every time I’ve thought about working up a swatch for that sweater since my first attempt, I get a little dizzy. Maybe I was hoping someone would talk me out of it.
I finally admitted to myself that I wasn’t confident enough to move ahead with that cardigan. I think it’s more of a commitment issue than an actual fear of the pattern. I’ve knit aran sweaters before. Now just isn’t the right time. I’m just not excited about it and I can’t get started unless I’m really psyched out of my mind. I’m ok with that. All in good time.
Of course, that means that I had to admit to Jon that he wasn’t going to get a Timberline any time in the near future. I think he was a little bummed. This boy loves cardigans. But I have something else up my sleeve.
While I was browsing the Brooklyn Tweed site a few weeks ago, Jon caught a glimpse of Grettir over my shoulder and made me show him all of the photos. Then he forgot that he’d pointed it out to me. But I remembered and I decided that he should have this sweater in his wardrobe. I love colorwork and I haven’t knit that many circular-yoke sweaters so this will be fun. Besides, it’ll look really handsome on him and it’s very different from the rest of his clothing.
I stuck pretty close to the sample pallet. I decided to go with Cascade 220 instead of Brooklyn Tweed for some budgetary reasons but also because my LYS didn’t have all of the grey shades of Shelter in stock. Really, I fell for this blue-grey for the main color. It’s really a pewter which is one of my favorite colors.
Jon did seem a little disappointed that the main color yarn isn’t heathered the way that Shelter is. (He asked, “How will you get those dots in it?” to which I answered, “Uh…it won’t.”) But I’m confident it’ll still be a beautiful sweater. He’s pretty easy to knit for, not afraid of color or being bold. He’s a pretty stylish guy.
What do you think? Am I chickening out? Do you prefer colorwork or cables?
I am obsessed with colorwork. I learned to knit when I was in the fourth grade but I didn’t really put my skills to work until I was a freshman in high school when I began to experiment with colorwork. It was so simple for me to draw up pictures and letters and transfer them into simple objects. I was hooked. A lot of significant knits in my life included intarsia and fair isle techniques including my first scarf and I could never forget about these pieces!
I’ve always collected stitch dictionaries. I love the inspiration I find in them. So when Interweave offered to giveaway a copy of Mary Jane Mucklestone’s book 150 Scandinavian Motifs, I was so excited to share! It’s so much more than just a stitch colorwork dictionary! Just flipping through the first few pages I was finding tips that improved my techniques after knitting probably hundreds of fair isle pieces.
Mary Jane was nice enough to do a little interview about herself and the book. I love the way that she thinks of those motifs in a versatile way, just changing colors to make something completely new.
How long have you been knitting?
30 years. I learned when I was four, but really didn’t pick it up in earnest until I was out of college.
What inspires you?
The world around me! People, places, sounds, smells…every wonderful thing!
Having published a few Fair Isle books, what is it about color work that you really love?
There is always something new with color. Color depends upon the world around it. Take a green, partner it with a blue, now place it next to a brilliant red…the green will look different by virtue of it’s interaction with the colors near it. It is always an adventure.
What do you love about the Scandinavian traditions in knitwear?
Well I grew up wishing my mom or grandma knit so that I could have all the cool sweaters many of my class mates had. I love the crisp color contrast and lots of the cheerful stitch patterns. I also love how much fun it is to mix the patterns together, turn them upside down or just take little elements of a motif and sprinkle them all around.
To enter to win, just leave a comment below! Make sure your email address is included so I can contact you if you’ve won. I’ll be drawing a winner next Tuesday. (Sorry, guys, this giveaway is for US addresses only!)
Why do you like colorwork? Or don’t you? I’d love to hear about it!
There are a lot of great menswear collections popping up this month. I’m heavily inspired by menswear. I definitely have tomboy style. I love the colors and textures and simple silhouettes. Men can look so handsome in just a simple crew neck sweater, I want to borrow from that minimalism when it comes to my own design.
Anyway, I was browsing the Valentino Fall 2014 Collection (which you can view in full here) and one piece really caught my eye. Of course, there were a ton of great knits under big wool jackets, most of which were very basic: heather grey sweaters, some with stripes and buttons, and a couple with Icelandic yokes. Like I said, boys look stylish in anything. But this piece was certainly my favorite.
So this sweater has really awesome colors but look closely. It’s a reverse fair isle. As in, take your favorite colorwork sweater and turn it inside out. My first thought is that I’m crazy about this concept because I love seeing the “behind the scenes” of knitwear, the knitty gritty seams and button bands and whatnot. Something about the thought process. But I also really love how bold the color work becomes. Instead of delicate dots and careful zig zags and whatnot, there are big, bright shapes.
Immediately when I saw this sweater, my brain travelled right to this cardigan, the Reverse Fair Isle Coat by Cheryl Murray which was featured in Vogue Knitting Fall 2012. (My mind palace is filled with back issues of knitting magazines, I swear!) I loved the coat when I picked up the magazine back then and for the same reasons I love this sweater.
Now, obviously reverse fair isle isn’t something unique to this year’s fashion. I actually saw an adorable chunky cardigan at The Gap last winter that was pink and white reverse fair isle that I was a little obsessed with. But I’m really excited about this technique as a new way to look at knitting. If you do want to emulate the runway, though, deconstruction is big right now. While I can’t see myself distressing things that I made by hand, this is a really fun way to be on trend.
What do you think? Would you knit colorwork just to show the wrong side? Are you intrigued?
It’s been a long road but my fair isle sweater is pretty much finished. It feels like I’ve been working on this thing my whole life (since I started it while I was on my hurrication back in October), a lot of other pieces have been finished since I cast this thing on but it’s done.
Since I haven’t been able to take photos of the FO, I wanted to talk about the finishing of the garment and some of the cool details. One of the elements that really drew me in to this pattern were the embroidered parts on the front and back. I’ve never embroidered on a piece of knitting but I do like to do both things separately. The colorwork alone was full of little details but this part made it even more unique.
The purple/grey flowers and pink hearts (which are up near the neckline) are knit by intarsia which is why the pieces are worked flat. (At least the front and back. I wish I’d worked the sleeves in the round but that’s life.) Then embroidery is added over them to make it pop. It was pretty fun. My French knots always throw me for a loop when I’m rusty but I finally got them to work.
I can’t wait to show you more of this sweater. It’s definitely going to be my favorite thing to wear from now on.
Have you embroidered knitting?